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Unsigned Band Web Interview with GHOTTI :: August 2006 ::

GHOTTI:  FROM SLOW ROAST TO BLOW TORCH . . .

An Interview with Ghotti frontman
HOWARD WALMSLEY


     Simply put, Ghotti is the best rock band I’ve come across in several years of listening to unsigned bands on the web.  The musicianship and songwriting inspires me.

Thanks to Ghotti frontman Howard Walmsley for taking the time to talk to us about the band and their music.



- - - THE BAND - - -

Give us a little background on the band and describe the “Ghotti Sound”.

     “Ghotti are Pat, Ugo and Howard and the sound is more to do with us all having our own vibe than any contrived or structured effort to sound a certain way.  We all write and we all play each others instruments so when a tune gets hammered out it’s tough to say who did what and why!  So long as we are feeling the tune, it works, so far as we are concerned.”


- - - INFLUENCES - - -

What are some of your major musical influences?

     “Our musical influences are more to do with writing than sound.  I love skool Motown but then I like Mr Bungle and Infectious Grooves too.  We are all pretty eclectic in our tastes - but basically, Pat’s into musicians, I’m into lyrics and emotion and Ugo is into anything interesting.  Right now I rate the Noisettes, 12 Stone Toddler, and the Goo Rarvey projects.”


- - - SONGWRITING & EQUIPMENT - - -

While many of the more recent tunes are more aggressive, an element in many of your songs that stands out to me is the patience you often have with your music, the willingness to let the song come gradually, to build at it’s own pace (Fallen and Filed Away are good examples of what I’m thinking of here).  This differentiates your songwriting a lot from much of the music I hear.  Comment on your approach to songwriting.  Can you talk about the lyric, melody, and songwriting?  Can you talk about the evolution of how your tunes come to be?  How does the band work to pull together a song?

     “It comes all different ways.  Some songs Pat, Ugo or myself will walk into the room with a pretty much finished track, then the others orchestrate and tweek until it works for all of us.  Some songs just appear out of a jam session, and others are bits of old songs that get reborn in new ones.  Who knows how it works?  We wrote a huge amount and try and keep the good and lose the bad.  Some songs we gigged 3 years ago I can barely remember now, but they will be revisited and sometimes they come back.  That way if a song isn’t working then we just leave it and do one that is.  Pat said writing tunes was a lot like cooking and I agree.  Some take time and need to slow roast, others you blow torch the fuck out of and see what comes out!”

To what degree does playing clubs change the type of music you write?

     “Playing clubs means you have to have an up tempo set that gets the room jumping.  You can’t go all EMO and shit when people have paid to have a good time and see a show which rocks their world.  So yes, it does change perspective, but like any gig - each crowd is different and you adapt to it.”

Can you comment on some of the equipment - guitars, amps, etc?  I really like the guitar sound.

     “Ugo switches his gear around.  He is constantly coming up with new sounds or effects - but, from memory, his constant companions are a line 6 tap delay, a cry baby wah peddle, a RAT peddle, and then it’s all Marshall head and cab (although he does use the Mesa occasionally).  His guitars are all about the pickups, so he has a modified Texas special and a collection of other guitars he uses for different sounds.  Pat has a custom Remo kit.  I use a Line6 Acoustix Variax for gigs and a custom made Stephen Hill nylon string for recording and writing. ”


- - - EP - - -

Plug your EP a bit if you like.

     “Rather not . . . . we have an EP you can buy if you like - but if I were you, I’d down load the tracks for free!  Oh - but you could do us a favour and go to Channel 4 and review and rate us (UK has only 5 main TV channels - so it’s a big deal over here).  The more who do, the better chance we have of getting cool shit like . . . . festival gigs, producers, etc are.”


- - - GHOTTI & THEIR MUSIC - - -

Of the songs posted on the UBW site, which one shows off the band the best, and which one is your favorite?

     “My favourite is “ASBO” right now, but that’s more to do with the live show and how much fun it is to play.  “Control” is like an old friend we’ve been playing it so long, and “Mayfly”, once the production and a few kinks get ironed out, is going to rock.  But over all, I’d say “Control” is the one to judge us by.”

ASBO    (HIFI, LOFI)

“ASBO” has a lot of different things going on - in places highly melodic and at other places raw and edgy.  The sound reminds me of Stone Temple Pilots at times.  Comments on this song?

     “Cheers - I like the Stone Temple Pilots - not sure about Velvet Revolver though, recovery songs are all good, but there’s only so much Cathartic crap I can listen to.
     ASBO is about kids who go off the rails - as we all did, and why it happens - that feeling of no one understanding or listening and the mad shit you do to express the frustration. The music is meant to be that too. I’m a big Bowie fan and I wanted the beginning to feel a bit like “Little China Girl”. ”



Howard (vocals) top left, Pat (drums) top right, Ugo (guitars) bottom left


Control    (HIFI, LOFI)

“Control” is the most popular tune by the band on UBW currently.  What would you like fans to know about this tune?

     “The song was one of the first we wrote together.  I normally do the lyrics and this one is about my brother who got spiked at a party when he was 19 and has had some pretty serious shit going on since then.  He’s seen the dark side of hell and still seems to manage to carry on.  The song was about his slide and how I recognized I could go the same way if I let myself - Hell, we all could.  So “Control” is really about any part of yourself, obsession, addiction, insanity, what ever . . . that you let out of it’s box and then can’t get back under control again.”

This is better than Knightrider    (HIFI, LOFI)

“This is better than Knightrider” is probably my favorite of the newer tunes.

     ““TIBTK” is fun - it’s about school brainwashing you into stuff which you then spend your 20’s either running from or trying to live up to.  The tune is called that because my brother Stephen walked into the studio when we were rehearsing it and said the riff reminded him of that cheesy Hasselhoff TV show with the car.  But then he said - . . . “but this is better than Knightrider” - and it stuck.  Pat did some cool production on his drums in the middle eight break too.”

Fallen    (HIFI, LOFI)

I think you’ve rerecorded the song several times since I first heard it, but “Fallen” is the first song I heard from Ghotti and still encapsulates so much of what I like about the band’s sound.  A deep patient groove, building intensity, great songwriting, great vocals, great musicianship - and then the chill-out again at the end... the total package - a fully orchestrated song.  Can you talk about “Fallen” and how arrangements for the songs come together.

     ““Fallen” was Pat’s baby.  It was a riff he bought in which we descended on like vultures!  It’s nice because Ugo and I get to play the riff together.  It’s basically about knowing what you want from your life and just doing it.”

Groove    (HIFI, lofi)

“Groove” is sonically different - a departure from the previous sounds - not to mention a kicking guitar solo.  It sort of has a Chili Peppers vibe to it.  Comments on the song?

     “It was a crowd pleaser at gigs which went all Prince!  It’s all about the tempo - melodically it ain’t all that but the groove itself should grab you if you’re in the mood.  I liked writing the dirty lyrics - that’s what I meant by it going all Prince.”

Have older songs like “Sunflower”, “Lately”, and “Fly Away”" been retired?

     “They’re still there in the back ground and are pulled out for showcases and big gigs, but we are all more interested in the new stuff and writing and performing fresh material - but then isn’t everyone?”

- - - FINAL THOUGHTS - - -

What’s the best lyric you’ve written?

     “I like - “I’ve been taught specks and planks and thorns of regulations, stipulations, justified before this child was born” (She Said) but I am told “Bath overflows, waters gone cold, but I don’t mind” (Control) is the one everyone remembers.”

Anything else you want to add?

     “Only cheers for giving us the exposure and hope you like the music.”

Ghotti UBW Page - Official Site

Interview by Shane Milburn